Tracing a journey from the s through the s, N. Katherine Hayles uses three writing machines in depth: Talan Memmott’s groundbreaking electronic. Writing Machines has ratings and 8 reviews. Eric said: Hayles frames Writing Machines as “an experiment in forging a vocabulary and set of critical p. What readers will notice first about Katherine Hayles’s award-winning Writing Machines are the material properties of the book itself. Part of the MIT Mediawork .

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Matthew Durkin rated it really liked it May 12, Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. The Media Bunny rated it it was amazing Dec 04, Coverley’s Califiamoves to cybertext Aarsethand culminates in the “technotext,” Hayles’s term for literary works that self-reflexively engage with their own inscription technologies and integrate semiotic elements such as kineticism and navigational structures.

Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and wrifing community it serves. Writing Machines Mediawork pamphlet. Design elements of the book are pretty cool.

Writing Machines

Deyan Levski rated it it was ok Jun 06, No body of writing in the world is more relevant to what Hayles attempts in Writing Machines. The topics she discusses relate more to “how” we read, than to actually reading on a computer, although that is in there too. As electronic documents become more pervasive, print appears not as the sea in which we swim, transparent because we are so accustomed to its conventions, but rather as a medium with its own assumptions, specificities, and inscription practices.

In lieu of an abstract, here ariting a brief excerpt of the content: The critical components of the book, however, have their own problems. I imagine that the resistance to Hayles’ line of thinking, therefore, begins with sheer horror at the prospect of adding yet another dimension of complexity to an already difficult pursuit.


Part of the MIT Mediawork series, which features pamphlet-like books with a marked visual component and predetermined constraints notably writng and machiines inclusion of an autobiographical elementWriting Machines is the result hayyles a striking collaboration between Hayles and designer Anne Burdick.

Writing Machines came along at the right time, and in many ways it offers a fresh look at important ideas. Jul 16, Michael rated it really liked it Shelves: Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, from verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts.

GrossLaura J. To students of new media, the concept of materiality and medium as shaping components of artworks is so basic that it might seem strange that it remains radical in literary studies.

No trivia or quizzes yet.

The omission is incomprehensible. Thanks for telling us about the problem. Kathrine rated it liked it Jun 14, Such machinees boorishness makes us also seriously distrust her readings of the other main works she presents, Lexia to Perplexia, and A House of Leaves, as well of the many succulent book works she describes in Chapter 5. Nevertheless, I believe most readers will agree that when considered in its totality Writing Machines disintegrates.

Feb 25, Eric rated it really liked it Shelves: It isn’t coincidental that, at this juncture, a book like Writing Machines would emerge.

Writing Machines – N. Katherine Hayles – Google Books

To push further in the direction madhines a new semiotics for literary artifacts, I might note that the WebTake for the book notably includes sound in the form of a “talking book”a signifying element not addressed in Hayles’s account of the material properties that comprise a textual object, but one that a media-specific analysis will certainly have to come to engage.


Yet Writing Machinespublished inis timely. Oct 13, Sarah rated it really liked it. Just a moment while we sign you in to your Goodreads account. For many reasons, most directly tied to changes in technology, people are looking at print with fresh refreshed?

Instead of giving it an appropriately lithe reading, Hayles goes at it with bulldozer and dynamite, like a paleontologist of old. Want to Read Currently Reading Read.

Trivia About Writing Machines. If so, she finds herself in a kind of Ancient Mariner scenario — thirsty, but unable to drink from the body of water her ship floats on. Lindsey rated it it was amazing Aug 30, Writing Machines is the second volume in the Mediawork Pamphlets series. Lists with This Book. macihnes

Robert Smith, where a jellyroll was served and enjoyed by all. Oct 01, Chris rated it really liked it Shelves: She claims to know that this work exists, she even lists some of it machiness her online bibliography, but the same interview quoted above includes this remark: Tracing a journey from the s through the s, N.

Writing Machines Rita Raley N. If the narrative chapters were replaced with more critical explications, or if the narrative and critical materials were more completely integrated, Writing Machines would be a far superior book. This website uses cookies to ensure you get the best experience on our wrlting. On the one hand, the book exploits the resources of print—an interplay between the visual and the textual is achieved by the literal incorporation, rather than mere quotation, of elements of her central texts: Without cookies your experience may not be seamless.

Tracing a journey from the s through the s, N.